The Emerald Buddha, a dark green statue is in a standing form, about 66 centimeters (26 in) tall which is carved from a single jade stone in the meditating posture in the style of the Lenna School of northern Thailand. Due to the holiest nature of the statue except for the Thai King, no other person can be allowed come close or to touch the statue who cloaks it three time a year during winter summer and the rainy season which is a powerful ritual carried out to welcome good fortunes in the country in each season. Wat Phra Kaeo is believed to be the holiest temple in the kingdom, due to the diminutive Emerald Buddha is the holiest image in Thailand. The coming to be of the image is in dispute among experts where some say it was made in Sri Lanka as believe that it was crafted during the 14th century to what is now Thailand. It is believed to come with the good fortune to whoever possesses it, and thus it has been fought over by several kings and empires for legends claims that miracles used to occur in different places it has been interned. Since 1784, the Emerald Buddha has been in its present shrine in Wat Phra Kaeo thus making the Buddha image and the temple remains a fantastic focal point due to the historic royal ceremonies. Other people believe e that ‘” Wat Phra Singh” Bangkok is the holiest temple since it was first to host emerald Buddha despite the many argumentative explanations few people have come into concession about this (Subhadradi, 25-36). Main Body #1 Emerald Buddha is made out of the finest gems ever known and has some of the most miraculous powers. In Thailand, an image of the Emerald Buddha which is made of gem and stone carving is been associated with extremely uncommon power for along time. These Buddha images have been used as an object of ventilation and religious worship in the community. Due to their miraculous power, the image of Emerald Buddha has been shown to appear on office and altars in homes, schools, and temples. The image is believed to be a sign of infectiousness of religion from the effective cognition of ontological communication. The affection is delivered from the ritual of the consecration of the can lead to personal presentation. Therefore, it represents the inherent of the relationship between the inherent and beholder as a simple of contemplation. (Swearer 8-31) Anthropologists and historian have put across several arguments that the Buddha can go where it is designated to go are where it shall choose. According to the case of sinhale Buddha case, the image of the Emerald Buddha it travels according to the kingship and kingdom making for it was placed in the inner cycle of the palace. In this case, the travel of Sinhala Buddha is a remarkable occasion for it is associated with the first appearance of pure pali budhisism. The travel of the buddha statue provides a chain of 0geneology of the kingdom and politic which the statues legitimate. It provides a map for the political arena made of the number if principalities changing boundaries and affiliations thus identifying the virtues of commitment to the religio-political ideology. The statue of Buddha is a product of the circumstances of which it’s making, and authenticity is given by its maker (Timbiah 1-15) V.